Then I began working with gouache. Gouache (pronounced gwash) is opaque watercolor, like poster paint or tempera paint, but of a higher quality. Like all paints, it has its own unique set of qualities, both good and bad. Gouache dries very fast, and covers what is underneath. So, mistakes can be more easily corrected than, say, watercolor. But it is easy to get the first layer too wet when overlaying, and then the paint is LIFTED (and not in a spirtual way). There is a learning curve... Fortunately, this is all we used in high school, so I have ancient memories to fall back on.
These are all 5x7", gouache on watercolor paper, matted to 8x10, $100.
I always begin with a color study, with the colors I have. In this case, I was working with different thickness of each color.
Above is the oil (sold) that inspired the gouache to the left.
Moon Setting on the Mattaponi River
Gray Day on the James
Poppies in Barboursville
Buttercups and Poppies
After I worked all those different versions of the same clump of trees, I walked along the James around Tredegar and Oregon Hill. This inspired another set of paintings....
Trees on Upper Pond 1—Pink and Yellow, oil on canvas, 6x8 SOLD
Trees on Upper Pond 2—Hazy Morning, oil on canvas, 6x8 $150 (matted only)
Trees on Upper Pond 3—Fog, Brown and Blue, oil on canvas, 6x8 $150 (matted only)
Trees on Upper Pond 4—Autumn Fog, oil on canvas, 6x8 $150 (matted only)
Trees on Upper Pond 5—Moonset, oil on canvas, 5x7 SOLD
Trees on Upper Pond 6—Full Moon à la Hassam, oil on canvas,5x7 $275
Trees on Upper Pond 7—Full Moon à la Hassam II, oil on canvas, 11x14 $600
Trees on Upper Pond 9—Full Moon and Clouds, oil on canvas, 5x7 $275
Trees on Upper Pond 8—Full Moon à la Bannister, oil on canvas, 6x8 SOLD
From Oregon Hill—Sunset on the James, oil on canvas, 6x8 SOLD
From Oregon Hill—Full Moon on the James, oil on canvas, 6x8 SOLD
From Oregon Hill—Christmas Day on the James, oil on canvas, 6x8 SOLD
From Oregon Hill—Fog Rising on the James, oil on canvas, 6x8 $325
From Oregon Hill—Foggy Day on the James from Tredegar, oil on canvas, 6x8 SOLD
Trees on Upper Pond, sketch on site, 2018
So, after I spilled coffee and paint all over my sketch, I began.
I took a cue from a painting I did last February. I at that time I recreated a painting by Edward Bannister, based on a black and white sketch he had done, and using other paintings of his for color rendition. It was very empowering. More about my work with Bannister
I thought about how I could apply this to my own work, particularly since I had been doing so many sketches. With this in mind, I created multiple versions based on two different sketches. The first was a simple sketch I had done of a stand of trees at the Upper Pond in Bryan Park. I had done several paintings of this view based on photos I had taken, so I was familiar with the subject.
I wondered...what would happen if I concentrated on creating certain effects, and using the trees only as props upon which to 'hang' those effects...